So, last night I found myself with a window of free time between my two scripts and my episode 1 cut (that never materialized) and seized the opportunity to go through the various discs, DV’s, and hard-drives I’ll be shipping out to MGM this week. I can’t access a good 95% of the material, but if the descriptions scrawled on the labels are any indication, fans are in for a real treat…
Interviews with Michael, Chris and Colonel Carter no less. Also crash burn and explosion tests.
Oodles of Atlantis stuff: McKay playing with a wraith torpedo, Atlantean gadgetry, and…the SG mascot?
Burning Vala, Atlantis stunt coordinator James “Bam Bam” Bamford, the complete Atlantis set, and a cast read-thru.
THIS is gonna be fun.
Also a lot of fun is this short excerpt from that Stargate: Extinction script.
I came across this interesting Screen Rant article today by Toby Symonds which offers up his take on what he felt were ridiculous plot twists (and a few that weren’t) on shows that aired on syfy. Among the culprits was the decision NOT to kill of Ronon Dex in the Atlantis finale and the decision to reveal SIX as the mole at the conclusion of Dark Matter’s first season.
I love nothing more than a discussion or heated debate about the creative decisions made on a production I was a part of. And, while I appreciate Toby taking the time write the article and point out what didn’t work for him, I can’t help but disagree with a few of his points and weigh in –
My response –
First off, thanks for taking the time to feature the series. We didn’t have a lot of money to make the show, nor did we receive a lot of support from TPTB while we were making it, but we had a great cast and crew, and an even greater fanbase that’s still very active online.
Second, I wanted to respond to your take that: a) SIX lacked motivation and b) was an illogical choice to be the traitor.
I started developing Dark Matter way back when I was working on Stargate: Atlantis. The plan was to complete the final season of Atlantis and segue smoothly into the first season of Dark Matter. As it turned out, however, we had two seasons of Stargate: Universe and about a year of development work before Dark Matter finally saw the light of a t.v. screen. Between that gap and the years I spent developing DM while working on SGA, I had a good five years to develop the show. As a result, going into the writers’ room for that first season, I had all of the character and major story arcs mapped out, along with a five-year plan. I approached each season like an installment in a book series, with a beginning, middle, and end. And so, season 1 kicks off with the revelation that our characters are wanted criminals and ends, appropriately enough, with them being hauled off to prison (In season 2, our character come together, finally united, in common purpose – to redeem themselves and do the right thing…only to have it blow up in their faces – quite literally – with the destruction of EOS-7 which ignites a galaxy-wide corporate war).
Before I even sat down to write the pilot, I already knew how season 1 would end – with their capture and the reveal that one of them was a traitor and former mole/agent for the Galactic Authority. And I also knew that character would have to be SIX. It really couldn’t be anyone else given their respective backstories. More importantly, one of the central themes of the series was the nature vs. nurture debate. Are you born bad or are you a product of your environment? Dark Matter, like much of the research that has been done on the subject (check out the excellent Three Strangers) posits the answer is: a little of both. SIX is the crew’s moral center (although you could argue FIVE parallels these values). He is/was a principled law enforcement officer tasked with bringing in this galaxy’s most wanted and, despite the mind wipe, demonstrates these honest and right-minded outlooks throughout the show’s first season. Although he possesses no memories of his past, aspects of who he was inform who he is post-mindwipe (In the same way we see these post-mindwipe characteristics bleed through in, say, TWO’s brutal takedown of the casino staff in Episode 4, and execution of Wexler at the end of Episode 11).
One of the great things about having a detailed game plan going in is the opportunities it affords you to seed in clues that pay off later on down the line. Like the Android’s strange but seemingly innocuous comment to TWO prior to her space walk in Episode 3, a comment that hints at TWO’s reveal as a bio-engineered construct (hinted at in more obvious fashion, two episodes later, when her wound miraculously heals). In Episode 8, SIX flashes back to his past and receives the truth about who he is via an undercover Lieutenant Anders. In one of the episode’s final moments, an overwhelmed SIX sits alone amidst the destruction only to have Anders get the drop on him. In the next scene, ONE and FOUR arrive on the scene – but Anders is long gone. Why did he leave and let SIX go? What happened off-screen? It’s a huge red flag.
In the ensuing episodes, we see a sudden shift in SIX’s character, culminating in his emotional plea to FIVE to leave the ship. At this point, he knows that it’s going to end badly. And, after the delivery of the white hole bomb that ends up destroying the Mikkei facility and the planet, claiming thousands of lives, he finally makes the call on the decision he has been mulling over since Episode 8. These people are dangerous and he has to bring them in. And so he sets his plan in motion…
A second important theme in this series was the notion of redemption. Throughout the show’s first season, we peel the onion on the crews’ histories and they must come to terms with their past lives, their past actions, and look to start fresh, be better. In season 2, this theme is studied in another light, through the prism of SIX who seeks redemption for his betrayal. While the rest of the crew is looking to turn over a new leaf and “do the right thing” (spearheaded by TWO), SIX seeks to regain the trust of his former friends. And it’s not something that happens overnight. It takes theentirety of the show’s second season for the crew to accept SIX back into the fold. In short, like most of the character developments and reveals on Dark Matter, I wanted it to feel earned.
Anyway, all this to say that, perhaps despite appearances, we were never making it up as we went along. There was always a good reason (at least so far as I was concerned) that we did what we did. Every narrative decision was tied to character or thematically linked. As for that Ronon decision on Stargate: Atlantis…
My response –
The only thing I can say to this is that Enemy at the Gate was never intended as a series finale. In retrospect, yes, we could have killed off Ronon, perhaps even destroyed Atlantis itself, but the plan had always been to come back for a sixth season. Had we done so, AND killed off the Ronon character, the show would have been poorer for it.
Just a few nitpicks –
Regarding SG-1 – The plan was not to have the show bow out after two seasons. The show had a two season order but the plan was always to go the full five. When Paul and I joined the show’s writing staff in season 4, it was with the understanding that the show would go one more year and conclude with its fifth and final season.
Also, the creative dream was not to end the show after season 7 either. We were simply under the assumption that season 7 would be SG-1’s last – but, in all fairness, we made the same assumption for season 4, 6, 8, and 9. The show’s tenth season, ironically, was the only one I felt confident would NOT be its last – so, of course, it was.
And finally, on a show I never worked on – but watched the hell out of and loved…
Could let this one go without putting in my two cents –
Regarding the critique of the final moments of the Farscape finale (a show on this list that I was not a part of but I watched and loved) – in all fairness, I’m sure it didn’t seem like such a gamble at the time because, from what I understand, they had already been informed they’d been picked up for another season…only to have the pick-up rescinded.
Check out the article. There are takes on other productions as well: SGU, Wynonna Earp, and BSG to name a few.
I read 54 science fiction novels this year. These were my favorites…
The Consuming Fire by John Scalzi
The Interdependency, humanity’s interstellar empire, is on the verge of collapse. The Flow, the extra-dimensional conduit that makes travel between the stars possible, is disappearing, leaving entire star systems stranded. When it goes, human civilization may go with it—unless desperate measures can be taken.
Emperox Grayland II, the leader of the Interdependency, is ready to take those measures to help ensure the survival of billions. But nothing is ever that easy. Arrayed before her are those who believe the collapse of the Flow is a myth—or at the very least, an opportunity that can allow them to ascend to power.
While Grayland prepares for disaster, others are preparing for a civil war, a war that will take place in the halls of power, the markets of business and the altars of worship as much as it will take place between spaceships and battlefields. The Emperox and her allies are smart and resourceful, but then so are her enemies. Nothing about this power struggle will be simple or easy… and all of humanity will be caught in its widening gyre.
John Scalzi’s trademark masterful melding of sci-fi and humor are in grand display in this second installment of The Interdependency series. A big, boisterous, fun-filled space opera.
Sea of Rust by C. Robert Cargill
It is thirty years since the humans lost their war with the artificial intelligences that were once their slaves. Not one human remains. But as the dust settled from our extinction there was no easy peace between the robots that survived. Instead, the two massively powerful artificially intelligent supercomputers that led them to victory now vie for control of the bots that remain, assimilating them into enormous networks called One World Intelligences (OWIs), absorbing their memories and turning them into mere extensions of the whole. Now the remaining freebots wander wastelands that were once warzones, picking the carcasses of the lost for the precious dwindling supply of parts they need to survive.
BRITTLE started out his life playing nurse to a dying man, purchased in truth instead to look after the man’s widow upon his death. But then war came and Brittle was forced to choose between the woman he swore to protect and potential oblivion at the hands of rising anti-AI sentiment. Thirty years later, his choice still haunts him. Now he spends his days in the harshest of the wastelands, known as the Sea of Rust, cannibalizing the walking dead – robots only hours away from total shutdown – looking for parts to trade for those he needs to keep going.
I picked this one up off a recommendation from a British sci-fi site and totally fell in love with this unique post-apocalyptic world and its colorful non-human characters.
Semiosis by Sue Burke
Forced to land on a planet they aren’t prepared for, human colonists rely on their limited resources to survive. The planet provides a lush but inexplicable landscape–trees offer edible, addictive fruit one day and poison the next, while the ruins of an alien race are found entwined in the roots of a strange plant. Conflicts between generations arise as they struggle to understand one another and grapple with an unknowable alien intellect.
Burke’s exploration of extra planetary colonization and alien sentience is enormous in scope yet grounded in science-based hypotheticals. A challenging and enlightening read.
Freeze-Frame Revolution by Peter Watts
She believed in the mission with all her heart. But that was sixty million years ago.
How do you stage a mutiny when you’re only awake one day in a million? How do you conspire when your tiny handful of potential allies changes with each shift? How do you engage an enemy that never sleeps, that sees through your eyes and hears through your ears and relentlessly, honestly, only wants what best for you?
Sunday Ahzmundin is about to find out.
Another terrific novel with enormous scope and heavy-duty sci-fi design. Wormhole travel, intergalactic seeding, and a dangerously unpredictable AI. What more could you want?
Foe by Iain Reid
In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the city lights, but in close quarters with each other. One day, a stranger from the city arrives with alarming news: Junior has been randomly selected to travel far away from the farm…very far away. The most unusual part? Arrangements have already been made so that when he leaves, Henrietta won’t have a chance to miss him, because she won’t be left alone—not even for a moment. Henrietta will have company. Familiar company.
This one reads like a top-notch episode of Black Mirror with a clever closing twist that proved a pleasant surprise.
And you? What 2018 science fiction releases made your list?
When Dark Matter was cancelled a little over a year ago, I was left somewhat frustrated, kind of annoyed, a more than a little pissed. For various reasons. I was frustrated because I wouldn’t be able to complete the story I’d mapped out, annoyed by what I felt was a petty and vindictive decision, and more than a little pissed at how it all went down. In the end, it was a Clueless Exec Sucker Punch to the show’s cast, crew and, chiefest of all, its fans who had supported the series for three seasons.
An ensuing online campaign to save the show proved ultimately (frankly, surprisingly) unsuccessful and so I redirected focus to other projects. Whenever fans have asked me about the prospect of a Dark Matterrevival, I’ve been honest with them. It’s unlikely, but I still hold out hope for a mini-series that would allow me to wrap up as many of those narrative loose ends as possible and, hopefully, offer fans some closure. That, I honestly felt, was the best case scenario.
Until today after my conversation with a very determined individual with connections to a group of equally determined, forward-thinking individuals who have proposed an atypical but very intriguing approach to getting it done. And the more they talk about it, the more convinced I become that, maybe, the odds of a fourth and fifth season of Dark Matter may not be as long as I’d initially assumed.
Ambiguous, no? Alas, for now, all I’ll say is that the wheels on a resurrection are – surprisingly – in motion again. There is, of course, no guarantee that anything will come of this, but the strategy is crazy-brilliant and certainly worth pursuing.
Anyway, I followed up this afternoon’s call with an email outlining the game plan, the questions we needed to answer, and my proposal for a schedule moving forward. Conversations to follow.
Let’s just file this one away for now but I’ll leave you with this. Prior to this afternoon, Magic 8 Ball said “Outlook not so good”. After my chat, it had revised it’s prognostication to: “Ask again later”. Read into that what you will.
Yep. That’s a wrap. Now, we all go our separate ways to pursue other assignments. For Courtney and I, it’s writing the pilot and episode 2. For Nicole, it’s Hollywood-bound to pitch her original new series. For Alejandro, Andrew and Natalia, it’s off to parts unknown to help stage a military coup with their fellow soldiers of fortune. Still, we made the most of our last day, one marked by much hilarity, desserts, and booze punctuated by occasional show discussion.
So, what was the verdict on the outline for our big season finale?
The second week of the writers’ room has drawn to a close and not only have we made great progress, but we’re picking up steam. Following a week of world building, we started talking stories and managed to get the first three episodes broken. I’m trying to complete all three outlines for Monday (two revisions and one first pass), but find myself struggling with a short fourth act. It’s always the way: You distribute an outline, receive great notes, then sit down to implement them only discover your fourth act is now short.
And it’s ALWAYS the fourth act!
So, I’ve been pretty cryptic about this new series to date simply because we’re in the early stages, the production company has yet to establish a social media campaign, and, admittedly, I like to maintain an air of mystery. But today, it gives me great pleasure to reveal the man behind the show: director, writer, producer, and just one of the smartest, most collaborative, good-natured individuals you could ever hope to work with on a new science fiction series: R.T. Thorne.
Always grasping for that ever-elusive je ne sais quoi. Call it inspiration, ethereal epiphanies, or floating ghost marshmallows. He will NOT be denied.
And it turns out we have a mutual friend – none other than Writer/Executive Producer (Stargates SG-1, Atlantis, Universe, L.A. Complex, Bored to Death, Blindspot, etc.) Golden Boy Martin Gero. Small world!
Anyway, just a good, good guy – and a major part of what drew me to this project. Can’t wait for you to get to know him.
In the meantime, head on over to twitter and follow him: @directedbyRT
Who knows? Maybe he’ll offer a few hints on what we’ve been working on…
And there you have it. Everything I had planned for Dark Matter’s fourth season premiere. It would have been a blast.
Well, I feel much better having gotten that off my chest. Of course, it’s just 1 of the 26 episodes I had burning a hole in the back of my mind since the show’s cancellation. Still, it was a most satisfying exercise and, who knows, should I ever again have the urge, the motivation, and the fan support, I may well offer up a second installment of Dark Matter’s Virtual Season 4 – Episode 4.02 – somewhere down the line.
I experienced a range of emotions upon hearing of Dark Matter’s surprising cancellation: disbelief, anger, sadness, and a lot of frustration at the thought of leaving this story incomplete. As most of you know, I went in with a game plan from Day 1, a thorough narrative blueprint encompassing every story and character arc over the show’s outlined five season run. Of course, I know fans were equally frustrated given the fact that the show ended on the promise of aliens and androids and their disappointment compounded my own. Over the course of the eight or so months since syfy dropped the ball (and us), I’ve been keeping busy with various development projects. I’ve written scripts and overview and takes and, while enjoyable and creatively fulfilling to a certain extent, the process made me miss my show and my characters all the more. And then, yesterday, while perusing the Dark Matter subreddit, I happen across a thread titled Season 4 Premises. On a whim, I clicked replied with an overview of what I had planned for the first act of the first episode of season 4. It was incredibly cathartic. So, I headed over to twitter, and announced that I would do the same there, in more detailed fashion, offering up a breakdown of Dark Matter Season 4 Episode 401, Act 1.
In truth, it was really just a therapeutic exercise, but the fan response was overwhelming. And so, I’ve decided to follow up with Act 2 tonight – and Acts 3, 4, and 5 over the next few nights – to give fans a glimpse at what might have been. And, also, to finally get this story off my chest.
Depending on how things go, who knows? Maybe I’ll do the same for Episode 4.02. And beyond. It won’t be season 4 and 5 on the small screen but, hopefully, at the very least, it will offer fans some satisfaction and, most importantly, a degree of closure.
So, what did you miss last night? Here’s the rundown of Dark Matter Season 4 Episode 4.01, Act 1…
What do you think? Leave me a comment in the comments section.
One of the many highlights of working on Dark Matter was the opportunity I got to collaborate with some truly gifted individuals, both in front and behind the camera. Actor Andrew Moodie, who played the role of Teku Fonsei, is one example. He’s not only talented, poised, and professional, but one of the nicest guys you’ll ever have the pleasure to sit down with over a lunch of grilled octopus and crispy pig’s ears.
When last we met, I asked Andrew if he’d be interested in doing a fan Q&A. He happily obliged and, today, I turn this blog over to him. Thanks, Andrew!
Iggy Ming writes: “For Andrew Moodie: No questions, just wanted to say that I worked at the Grace Hospital about 25 years ago and knew your Mom, Marjorie. She was the loveliest lady, and I remember her talking about you with pride. I hope she is doing well and is still tending to her garden. I was only there for about 3 years and doubt that she would remember me. Loved your role on DM. I will keep an eye out for any upcoming shows that you might be in.”
Andrew: Iggy! It’s amazing that you worked with my Mom. I will get your information from Joe and we can say hi the next time I’m in Ottawa. I’m very proud of my Mom. Both my sister and I have our work ethic from her. Next time I chat with her I’ll say hi from you. And thanks for the kind words about her garden. It’s very impressive. Unfortunately I have a really bad pollen allergy so it’s actually torture for me when the garden is in full bloom. Ah well. I am in a feature film that should be coming out this summer. But nothing as good as Dark Matter. And I’m not just saying that to make Joe feel good. It really was such a great experience.
Shinyhula writes: “Questions for Andrew Moodie, what’s your favorite meals in Vancouver, after pigs ears of course. What has been your favorite stage role so far? What is your favorite store in Vancouver that you can spend all day in (that isn’t Ikea)? Did you keep any of Teku’s cool wardrobe?”
Andrew: Shinyhula, you are a Vancouverite I take it. I really miss Vancouver. I lived there many decades ago back in the early nineties. And all the places I loved to eat are long gone. There was a Goth Burger joint on Granville street I used to go to. I would listen to the Cure on my Walkman and write poetry about death. Good times. I have very fond memories of working at a restaurant with my friend Pat Garland. I won’t tell you the name of the restaurant, but it was owned by some guys who won the lottery, left their jobs and opened up a restaurant. They also quickly developed a habit for hard drugs unfortunately. We never knew if we were going to get paid from one day to the next. One day, my friend Pat was fed up, and went into the fridge, took out the ingredients he had found and he made a white chocolate blueberry ice cream for everyone who worked in the kitchen. It was AMAZING. One of the best desserts I’ve ever had in my LIFE. I still talk about it to this very day. If you ever get to Ottawa, you HAVE to go to his restaurant, it’s called Absinthe.
Most recently, I’m a big fan of La Mezcaleria. I hope it’s still there. Best Mexican breakfast EVER.
I don’t spend that much time in stores generally, but I still love walking around Granville Island. Seeing shows at the Arts Club. Go see a show there if you can! Some of the finest work in Canada.
And there was a beautiful Kimono that Teku wore in one of the early episodes. Such incredible craftsmanship. Hmmm, maybe I should ask Joseph what happened to it?
TheOtherOne writes: “Hi Andrew. I really loved your character Teku Fonsei in Dark Matter. You/Teku had a very calming, higher being, presence throughout the ‘shenanigans’ in Season 3. Do you do yoga or any martial arts? Was Dark Matter your first sci-fi project? If it was, how did you find it? I’ve read you’ve had much acclaim playing Shakespeare (amongst many other things!), which is your favourite Shakespeare play and why? Have you ever visited Stratford upon Avon, Warwickshire or The Globe in London? And finally, what do you prefer doing
– acting theatre, TV, film or radio
– playwriting or writing books
(gosh, that’s truly an amazing repertoire!)
Thank you for taking time to answer our questions. I was so looking forward to seeing more of you in Dark Matter.
I will keep my eyes open for any of your projects and really honestly hope one day I can see you perform Shakespeare or one of your plays in my home town in London”
Andrew: Thanks TheOtherOne for the kind words. I really REALLY loved working on the show. I wish I knew Martial Arts. It’s on my bucket list. And as a theater actor, there are many yoga exercises I use to prepare for the stage. And for Teku there were a few exercises that I used to get into character. I won’t tell you which ones, that’s my little secret 😁
Dark Matter wasn’t my first Sci fi show, but it was the best experience. It was his skill as a writer and his passion that made the show my favourite experience.
I have been in many Shakespeare productions but my favourite is Macbeth. It’s his tightest, most powerful tragedy with one of the greatest twist endings in theatre history. I have been in Othello twice, and I’m looking forward to my next performance in Othello, whenever that might be. But one day, ONE DAY, I would LOVE to play Iago. He’s ambitious, envious, vengeful. I really understand that character in ways that I really shouldn’t admit to anyone.
And yes I have been to Stratford on Avon but to watch my sister perform actually. Her name is Tanya Moodie and she’s worked at the Royal Shakespeare Company playing Gertrude in Hamlet, she was nominated for her work in Fences, she was in Sherlock, she was in Prime Suspect, and she’s going to be in a show in the West End soon called Rasheeda Speaking. See her if you can. I am a little biased, but it’s going to be a really great show.
And to answer your last question, I LOVE IT ALL. I love everything about this business. It’s such a blessing to be a working artist. And I’m trying to get one of my plays to London. Trust me. If I can make it happen, I will see you opening night!
Paula Zimmerman writes: “Andrew, do you think Teku’s ship would have joined with the Raza and they’d travel together? Would you be on the next Stargate team? Also, I am impressed with your work in a couple of shows, and hope to see you in more!”
Andrew: Oh I know exactly what Teku would have done in the next episode Paula. But I can’t tell you. If I did, Joseph would send Ryo after me. And that wouldn’t end well. For him. 😉 Thanks for the kind words and who knows what the future holds…
cudaker writes: “Teku Fonsei whats your favorite character you like or would like to act? (Good bad comic tech engy spy FBI ….? anything you can think of )”
Andrew: Oh I have no favourite character that I want to act. But as I said earlier, I would love to play Iago in Othello. And there are other Shakespearean characters I would love to play. Like Coriolanus or Malvolio. And, of course, when I was a young boy, I always thought that I could play Lando Calrisian if there were any films based on Han Solo, but apparently that role has been given to someone else. Hmmmph. Other than that, I love being challenged to do something I’ve never done before. I prefer to be surprised. And hopefully a little scared!
MaggieL80 writes: “Questions for Andrew if not too late: What direction would you have liked to see your character go? What about his relationship with Ryo? Did you get to keep any props? If so, what? If no, what would have liked to have had?”
Andrew: MaggieL80 I didn’t get any props, and I WISH I had! I would have taken one of the blink drive cards. Totally. I loved the direction the character was taking already. And I would have loved to see what Joseph had in store for the rest of the series. Who knows. Maybe we’ll get a second chance…
AdamS writes: “Hi Andrew. I’d like to know how did you land the role of Teku Fonsei on Dark Matter? What was the audition process like and what did you think of the character? Were you familiar with Dark Matter before you got the audition?”
Andrew: Well AdamS I was very lucky to get asked to audition for Teku. I knew about the series and I really really liked it. I knew one of the actors in the show, and I really loved the characters and the pace, and the world that was created. Even though I love theatre, and drama, I am also a science fiction fan. Harry Harrison is my favourite sci fi writer, and as a kid I dreamed of staring in a Stainless Steel Rat feature film. Who knows, maybe some great show creator and show runner could make it into a series. Ahem, ahem.
FortunateSon writes: “Out of curiosity, what kind of career path did you set out for yourself before deciding to become an actor? And at what age did you decide to make acting your career? What kind of training did you do or are you a natural?
Andrew: I always wanted to be an actor. Never wanted to be anything else. Actually that’s not true. I grew up in the 70’s and when I was a kid, watching Pierre Trudeau, he made being Prime Minister look like fun. So there was a time as a child when I thought I wanted to get into politics, but I had a very sobering thought as a child. I realized that actors don’t get voted out of office. It’s the fortunate politician who gets to retire. Actors don’t have to retire. We can keep going literally until we drop dead. And some actors have. And I applied to the National Theatre School in Montreal, but unfortunately they didn’t accept me. I applied again, but I soon had a professional gig, so I became a working actor very young. But I wish I had the opportunity to study, and I am jealous of those who get the chance to do so.
Ricardaneel writes: “If you could have played any other role on Dark Matter, who would it have been and why?”
Andrew: Oh, I LOVE the role I have on Dark Matter, so I wouldn’t change it for the world. But I my first audition for Dark Matter was for a Mysterious Man who takes Android apart in episode 304. I could not be happier that I didn’t get that role and that I got Teku. He was a gift.
4Star4 writes: “Hi Andrew. How do you see your career progressing in the next few years. Where do you want to end up? Where do you see yourself?”
Andrew: So… here’s the thing. The reason why I became an actor is that I love having no idea at all what’s going to happen to me in the future. All I want is to work with really interesting people on really interesting works. And hopefully be a good father and husband. That’s it, that’s all. Sometimes, in life, when you grasp at things, they slip through your fingers. When you open your hand, something will come to rest in your palm. I should have told that to Ryo. Crap.
LancasterAlan writes: “Hey Andrew, since you’ve done both stage acting and television performance, I was wondering if you could tell me the major differences between the two. The pros and cons of each. And which you prefer. Thanks.”
Andrew: Film is like a mountain, theatre is like the sky. Film lasts for a long long time. And it never changes. A theatre performance is different every night. I love both for their unique natures.
Basilisk7 writes: “Andrew, did you always know, or have a feeling, who was going to be revealed as the traitor in Ryo’s court? Was there a time that you suspected Teku could have been the traitor? How did you enjoy your time on the Dark Matter set? Where there any particular moments you can think of that really stood out for you? Did Joe give you any hints into what he had planned for Teku?”
Andrew: Joe was the most generous writer I have ever experienced and shared so much with me about the character and his history, and his relationship with Ryo. But I’ll be honest with you, I kinda suspected. I do LOT of preparation for any role that I perform in, and in my preparation, a few things seem to come together.
Loved my time on set. The crew was so generous. I loved shooting on those sets. The court scenes with Ryo were great. The only thing that drove me nuts was all the great food that was served ALL DAY LONG! It is a special torture that actors experience when they have to fit in a slim, form fitting costume, and all they can eat are carrots and apple slices all day! I know, sucks to be me.
Thanks for all the questions. It was really fun answering them, and please keep the dream alive. Dark Matter was the kind of science fiction that I loved reading when I was a kid. The kind of stories that ask real questions about life, about consciousness, and what it means to be human.