I came across this interesting Screen Rant article today by Toby Symonds which offers up his take on what he felt were ridiculous plot twists (and a few that weren’t) on shows that aired on syfy. Among the culprits was the decision NOT to kill of Ronon Dex in the Atlantis finale and the decision to reveal SIX as the mole at the conclusion of Dark Matter’s first season.
I love nothing more than a discussion or heated debate about the creative decisions made on a production I was a part of. And, while I appreciate Toby taking the time write the article and point out what didn’t work for him, I can’t help but disagree with a few of his points and weigh in –
My response –
First off, thanks for taking the time to feature the series. We didn’t have a lot of money to make the show, nor did we receive a lot of support from TPTB while we were making it, but we had a great cast and crew, and an even greater fanbase that’s still very active online.
Second, I wanted to respond to your take that: a) SIX lacked motivation and b) was an illogical choice to be the traitor.
I started developing Dark Matter way back when I was working on Stargate: Atlantis. The plan was to complete the final season of Atlantis and segue smoothly into the first season of Dark Matter. As it turned out, however, we had two seasons of Stargate: Universe and about a year of development work before Dark Matter finally saw the light of a t.v. screen. Between that gap and the years I spent developing DM while working on SGA, I had a good five years to develop the show. As a result, going into the writers’ room for that first season, I had all of the character and major story arcs mapped out, along with a five-year plan. I approached each season like an installment in a book series, with a beginning, middle, and end. And so, season 1 kicks off with the revelation that our characters are wanted criminals and ends, appropriately enough, with them being hauled off to prison (In season 2, our character come together, finally united, in common purpose – to redeem themselves and do the right thing…only to have it blow up in their faces – quite literally – with the destruction of EOS-7 which ignites a galaxy-wide corporate war).
Before I even sat down to write the pilot, I already knew how season 1 would end – with their capture and the reveal that one of them was a traitor and former mole/agent for the Galactic Authority. And I also knew that character would have to be SIX. It really couldn’t be anyone else given their respective backstories. More importantly, one of the central themes of the series was the nature vs. nurture debate. Are you born bad or are you a product of your environment? Dark Matter, like much of the research that has been done on the subject (check out the excellent Three Strangers) posits the answer is: a little of both. SIX is the crew’s moral center (although you could argue FIVE parallels these values). He is/was a principled law enforcement officer tasked with bringing in this galaxy’s most wanted and, despite the mind wipe, demonstrates these honest and right-minded outlooks throughout the show’s first season. Although he possesses no memories of his past, aspects of who he was inform who he is post-mindwipe (In the same way we see these post-mindwipe characteristics bleed through in, say, TWO’s brutal takedown of the casino staff in Episode 4, and execution of Wexler at the end of Episode 11).
One of the great things about having a detailed game plan going in is the opportunities it affords you to seed in clues that pay off later on down the line. Like the Android’s strange but seemingly innocuous comment to TWO prior to her space walk in Episode 3, a comment that hints at TWO’s reveal as a bio-engineered construct (hinted at in more obvious fashion, two episodes later, when her wound miraculously heals). In Episode 8, SIX flashes back to his past and receives the truth about who he is via an undercover Lieutenant Anders. In one of the episode’s final moments, an overwhelmed