Jaula/The Chalk Line (2022)
A couple temporarily adopts a young girl that they found wandering around alone in the high road.
My thoughts: More thriller than horror; more exasperating than thrilling. The big reveal hinges on an implausible coincidence.
2.5/5
Nocebo (2022)
A fashion designer is suffering from a mysterious illness that puzzles her doctors and frustrates her husband, until help arrives in the form of a Filipino carer, who uses traditional folk healing to reveal a horrifying truth.
My thoughts: You’ll be required to squint at some of the fuzzy logic but, overall, an engaging little movie that sticks the landing.
3.5/5
The Apology (2022)
20 years after the disappearance of her daughter, a recovering alcoholic is preparing her family’s Christmas celebration when her estranged ex-bother-in-law arrives unannounced, bearing nostalgic gifts and a big secret.
My thoughts: A highly predictable mostly two-hander.
3/5
Nanny (2022)
Immigrant nanny Aisha, piecing together a new life in New York City while caring for the child of an Upper East Side family, is forced to confront a concealed truth that threatens to shatter her precarious American Dream.
My thoughts: Technically accomplished and strong performances with a compelling dramatic narrative, but the horror elements feel superfluous and detract from the whole.
3.5/5
Christmas Bloody Christmas (2022)
It’s Christmas Eve and Tori just wants to get drunk and party, but when a robotic Santa Claus goes haywire and begins a killing spree through her small town, she’s forced into a battle for survival.
My thoughts: Futurama already did it. And better. But perfectly fine if you’re looking for a cheesy holiday diversion.
3/5
Today’s Yes/No…
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