Not a fine mystery read or a good mystery read. I’d like you to recommend me a great one. A couple of guidelines:
1. As much as I respect the classics, I’d prefer to read something set in our contemporary world. Well, contemporary-ish. I’ll pass on Sir Arthur Conan Doyle and Edgar Allen Poe but welcome anything in the Patricia Highsmith vein.
2. Nothing too noirish. Dashiell Hammet, Raymond Chandler, Mickey Spillane – all terrific writers, but not my cup of tea.
3. No espionage (John le Carre), police procedurals (Ed McBain), cozies (Agatha Christie), legal/medicals, romantic suspense (Mary Higgins Clark), or anything that is part of an ongoing series involving a recurring investigator. I’m on the fence re: mixed genres. Yes to a whodunit set on an isolated space station but no to mysteries in which our inquiring protagonist is a vacationing housewife, precocious kid, or a surprisingly wry barnyard animal.
4. Something well-plotted yet pleasantly unpredictable with no annoying contrivances or conveniences (Hey, it turns out Sheila’s great-aunt’s long lost child is really Maureen who just happened to have been working at the estate as a fountain cleaner when Lord Waddlington was murdered!).
5. Something that starts off strong, engages the reader throughout, and pays off with a satisfying conclusion. I’ve read quite a few novels that manage two out of three, starting strong and engaging the reader throughout, only to deliver a letdown of an ending (ie. In one case, the reason the mystery was so baffling was because the actual murderer wasn’t introduced until the last thirty pages and, oh yeah, two killers acted independently but just so happened to murder people in the same house on the same night).
6. Something with interesting and believable characters. I don’t care what the protagonist’s schtick is. If he’s not interesting, I lose interest and stop reading.
According to the Mystery Writers of America, these are the Top 100 Mystery Novels of All Time. Agree? Disagree? Let’s hear from you. Especially if you’d like to recommend something on this list that meets the aforementioned guidelines:
1. The Complete Sherlock Holmes, by Arthur Conan Doyle (Included in this are The Hound of the Baskervilles, A Study in Scarlet, The Adventures of Sherlock Holmes and The Sign of Four, each of which garned a lot of votes on its own.)
2. The Maltese Falcon, by Dashiell Hammett
3. Tales of Mystery and Imagination, by Edgar Allen Poe (Includes “The Gold Bug” and “Murders in the Rue Morgue,” which also received a lot of individual votes.)
4. The Daughter of Time, by Josephine Tey
5. Presumed Innocent, by Scott Turow
6. The Spy Who Came in from the Cold, by John le Carré
7. The Moonstone, by Wilkie Collins
8. The Big Sleep, by Raymond Chandler
9. Rebecca, by Daphne du Maurier
10. And Then There Were None (aka Ten Little Indians or Ten Little Niggers), by Agatha Christie
11. Anatomy of a Murder, by Robert Traver
12. The Murder of Roger Ackroyd, by Agatha Christie
13. The Long Goodbye, by Raymond Chandler
14. The Postman Always Rings Twice, by James M Cain
15. The Godfather, by Mario Puzo
16. The Silence of the Lambs, by Thomas Harris
17. A Coffin for Dimitrios, by Eric Ambler
18. Gaudy Night, by Dorothy L Sayers
19. Witness for the Prosecution, by Agatha Christie
20. The Day of the Jackal, by Frederick Forsyth
21. Farewell, My Lovely, by Raymond Chandler
22. The Thirty-Nine Steps, by John Buchan
23. The Name of the Rose, by Umberto Eco
24. Crime and Punishment, by Fyodor Dostoevsky
25. Eye of the Needle, by Ken Follett
26. Rumpole of the Bailey, by John Mortimer
27. Red Dragon, by Thomas Harris
28. The Nine Tailors, by Dorothy L Sayers
29. Fletch, by Gregory Mcdonald
30. Tinker, Tailor, Soldier, Spy, by John le Carré
31. The Thin Man, by Dashiell Hammett
32. The Woman in White, by Wilkie Collins
33. Trent’s Last Case, by E C Bentley
34. Double Indemnity, by James M Cain
35. Gorky Park, by Martin Cruz Smith
36. Strong Poison, by Dorothy L Sayers
37. Dance Hall of the Dead, by Tony Hillerman
38. The Hot Rock, by Donald E Westlake
39. Red Harvest, by Dashiell Hammett
40. The Circular Staircase, by Mary Roberts Rinehart
41. Murder on the Orient Express, by Agatha Christie
42. The Firm, by John Grisham
43. The Ipcress File, by Len Deighton
44. Laura, by Vera Caspary
45. I, the Jury, by Mickey Spillane
46. The Laughing Policeman, by Maj Sjöwall and Per Wahlöö
47. Bank Shot, by Donald E Westlake
48. The Third Man, by Graham Greene
49. The Killer Inside Me, by Jim Thompson
50. Where Are the Children?, by Mary Higgins Clark
51. “A” Is for Alibi, by Sue Grafton
52. The First Deadly Sin, by Lawrence Sanders
53. A Thief of Time, by Tony Hillerman
54. In Cold Blood, by Truman Capote
55. Rogue Male, by Geoffrey Household
56. Murder Must Advertise, by Dorothy L Sayers
57. The Innocence of Father Brown, by G K Chesterton
58. Smiley’s People, by John le Carré
59. The Lady in the Lake, by Raymond Chandler
60. To Kill a Mockingbird, by Harper Lee
61. Our Man in Havana, by Graham Greene
62. The Mystery of Edwin Drood, by Charles Dickens
63. Wobble to Death, by Peter Lovesey
64. Ashenden, by W Somerset Maugham
65. The Seven Per-Cent Solution, by Nicholas Meyer
66. The Doorbell Rang, by Rex Stout
67. Stick, by Elmore Leonard
68. The Little Drummer Girl, by John le Carré
69. Brighton Rock, by Graham Greene
70. Dracula, by Bram Stoker
71. The Talented Mr Ripley, by Patricia Highsmith
72. The Moving Toyshop, by Edmund Crispin
73. A Time to Kill, by John Grisham
74. Last Seen Wearing, by Hillary Waugh
75. Little Caesar, by W R Burnett
76. The Friends of Eddie Coyle, by John V Higgins
77. Clouds of Witness, by Dorothy L Sayers
78. From Russia, with Love, by Ian Fleming
79. Beast in View, by Margaret Millar
80. Smallbone Deceased, by Michael Gilbert
81. The Franchise Affair, by Josephine Tey
82. Crocodile on the Sandbank, by Elizabeth Peters
83. Shroud for a Nightingale, by P D James
84. The Hunt for Red October, by Tom Clancy
85. Chinaman’s Chance, by Ross Thomas
86. The Secret Agent, by Joseph Conrad
87. The Dreadful Lemon Sky, by John D MacDonald
88. The Glass Key, by Dashiell Hammett
89. Judgment in Stone, by Ruth Rendell
90. Brat Farrar, by Josephine Tey
91. The Chill, by Ross Macdonald
92. Devil in a Blue Dress, by Walter Mosley
93. The Choirboys, by Joseph Wambaugh
94. God Save the Mark, by Donald E Westlake
95. Home Sweet Homicide, by Craig Rice
96. The Three Coffins (aka The Hollow Man), by John Dickson Carr
97. Prizzi’s Honor, by Richard Condon
98. The Steam Pig, by James McClure
99. Time and Again, by Jack Finney
100. A Morbid Taste for Bones, by Ellis Peters, tied with Rosemary’s Baby, by Ira Levin
Our trip down Atlantis memory lane continues with –
Well, this one was a first – an episode that picks up NOT when we last left off but BEFORE we last left off, introducing a scene involving the wraith that we didn’t see during the attack on the Asuran home world. It was not only unique in our playing with the narrative timeline, but also an uncharacteristic “cutting to the bad guys”, something we generally avoided on the show. This scene was also notable for providing one of the highlights for that season’s blooper year when one of the wraith trips and almost falls flat on his face as he brings in the ZPM’s.
This episode was written and produced by Stargate veteran Alan McCullough who, after Stargate: Atlantis wrapped production, moved on to Sanctuary and Lost Girl. When the time came, I was very sorry to see him (and Martin Gero) go.

One of the standout moments in this episode was the destruction of the wraith cloning facility. Our VFX department excelled at wholesale destruction:.


On the other hand, kudos to our Special Effects and Make up departments on the grotesque wraith drone birthing scene. Yech. It’s no wonder they all wear those masks.
Teyla’s pregnancy becomes an issue for Sheppard – and I believe rightly so. Still, his decision to allow her to come along on the mission pays off when she ends up assuming control of the wraith queen to win their freedom. Sure, it’s easy to say it was the right choice in retrospect but if you were leading the team, would you have allowed Teyla to tag along?






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